Coming to the end of this cold, wet month, I’ve enjoyed
Eleanor Parker’s book Winters in the World, an exploration of the Anglo-Saxon experience of the
seasons through Anglo-Saxon poetry and historical and religious works.
Close to the weather
Several things
struck me (apart from the beauty of Anglo-Saxon poetry such as The Seafarer,
which I haven't read since my undergraduate days). Firstly, how dependent on and
close to the weather people were then, since it could make the difference between
famine or plenty. Also, the seasons gave meaning and structure to people’s lives
much more strongly than they do now. Thirdly, how important communal celebrations
were, and the sheer number of them that existed.
The origin of Candlemas
Often
newly-introduced Christian celebrations were meshed into the year’s weather cycle.
This happened with the 2 February Christian festival of Candlemas. The festival
commemorates Mary and Joseph taking the 40-day-old Jesus to be presented at the
temple. They were met by the elderly Anna and her husband Simeon, who
recognised the baby as the Messiah. Simeon took him in his arms and spoke a
prayer which became the Christian Nunc Dimittis: ‘Lord, now let your servant
depart in peace, according to your word; for my eyes have seen your salvation’.
Says Parker:
This means that Candlemas is a festival
which has at its heart a meeting between childhood and old age, birth and
death, and winter and spring. The dating of the feast was fixed by its biblical
origin, because the period of purification appointed in the law of Moses meant
it must take place 40 days after Christ’s birth. However, 2 February coincided
with a significant point in the solar year: midway between the winter solstice and
the spring equinox, it’s a time when the days are getting longer, daylight is
growing stronger, and in northern Europe the earliest spring flowers are
starting to appear. It was a natural time for a festival of light, and that was
what Candlemas became.
So Candlemas fuses
Christianity (and before that, Jewish law) and the natural rhythm of the year.
People celebrated it, Parker tells us, by taking candles to church to be
blessed, so echoing Christ being presented in the temple. Then, after a procession,
people took the candles home and kept them all year.
Periods of dearth and
plenty have disappeared in our age of supermarkets and year-round strawberries.
But do we not still create them, showing that such rhythms are important, even
if artificially-induced? For example, I’m just coming to the end of Dry
January, which strikes me as a secular version of Lent.
Book recommendation
As for the book, it
is scholarly but accessible. It explains clearly which sources are used and
what they allow us to say, as in a two-page discussion of whether the modern
word ‘Easter’ does come from the pagan goddess Eostre, the only evidence for
which is one statement in Anglo-Saxon historian Bede’s Reckoning of Time,
a discussion of the medieval church calendar. Parker thinks that on balance the
festival may have been named for a Kentish goddess, and explains why she thinks
so, briefly surveying the history of the argument and sources involved. It is
brave not to fear losing the general reader by detailing sources and
uncertainties.
This is a good read for a chilly time of year. It encourages
celebration or at least a marking of lean times, before the first blossoms
appear. Happy Candlemas!
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